Back in the early 80s, approaching the end of Vendetta‘s epic 38-part cycle, Moore was struggling to think of another “V” word with which to title a closing chapter. He’d already used Victims, Vaudeville and Vengeance; the Villain, the Voice, the Vanishing; even Vicissitude and Verwirrung (the German word for confusion). “I was getting pretty desperate,” he says.
He eventually settled on Vox populi. “Voice of the people. And I think that if the mask stands for anything, in the current context, that is what it stands for. This is the people. That mysterious entity that is evoked so often – this is the people.”